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BIG Small Talk with Co-Conspirator: Claude Latour
BIG small Talk is a chance to meet, introduce, and get to know artists that Harbour Collective encounters along the way. Sasha Kucas speaks with Claude Latour, an artist that Harbour cannot get enough of, for an engaging introduction to his artistic world and some BIG small Talk.
Not one for board games, this bear tickles the ivories to relax. Coaxed out of bed with coffee and chocolate, Latour advocates for the survival of Algonquin culture and the jewel-like planet we call Earth.
This artist blew my mind with his fortitude when discussing the loss of eleven years of artwork. Sit down with a warm beverage and enjoy his fascinating reflections on almost four decades of art, Artificial Intelligence, and much more…
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Side note: Harbour Collective is thrilled that Claude Latour will be in Winnipeg for Bridging the Gap to discuss and share his experience with AI! See you soon, Claude!
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Claude Latour is an Algonquin band member of the Kitigan Zibi Anishinabeg First Nation, Maniwaki, Quebec. He has a Diploma of Fine Arts Degree from the CEGEP De L’Outaouais’s Heritage College, Hull, PQ (1996) and a Bachelor of Fine Arts Degree from the University of Ottawa, ON (2001).
The influence of Latour’s Algonquin ancestry is evident in his artwork, which includes sculptures, paintings, videos, and with latest works featuring the fourth and final presentation of his Makwa Series which will be presented in September of 2024 at Patrick Gordon Framing in Ottawa. The works will be made up of original photo based digital images representing his Algonquin influences and teachings.
Past and present projects with Harbour Collective continue to explore the depths of Artificial Intelligence technologies and their applications in realizing the beginnings of an important relationship in sharing personal art works with permission, so that data bases are given truth between soul and machine so as not to be disproportionate with biased imagery within the creation of text to image art works.
Claude’s works have been exhibited in Europe and across Canada and he is proud to have his works collected by V-tape Distribution, Indigenous Arts Center INAC, City of Ottawa Collection, Kitigan Zibi Band Office, Canada Council Art Bank, and patrons.
His former work experience includes four years of service as a Corporal in the Canadian Armed Forces Army, a Traditional Drummer with the Red Road Singers, a Private Researcher-Bill C-31-Indian Status, Art Zone Fine Arts Technician, and Algonquin College Instructor-Media and Design.
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Bridging the Gap: A partnership between BIPOC artists/developers introduces workshop leaders Holly Aubichon and Jason Baerg. Together they will guide artists in conversations around protocols and hot AI topics.
Winnipeg
May 10-14, 2024
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Holly Aubichon investigates topics of urban Indigeneity and how ancestral knowledge is carried through to urban spaces using memory recollection, the land, and body through forms of painting, tattooing, writing and curation. She identifies as Métis, Cree from her Paternal side, and Ukrainian, Irish, and Scottish ancestry from her Maternal side. Aubichon was born and raised in Regina, Saskatchewan. Her Indigenous relations come from Meadow Lake and Lestock, SK. Aubichon’s practice is laboriously reliant on retracing familial memories and connections. She graduated from the University of Regina in 2021 with a BFA, minoring in Indigenous Art History. Aubichon was the Saskatchewan recipient of the 2021 BMO 1st Art! Award. Aubichon was the Artistic Director for Sâkêwêwak Artists’ Collective Inc from 2021-2023.
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Jason Baerg is a registered member of the Métis Nations of Ontario and serves their community as an Indigenous activist, curator, educator, and interdisciplinary artist. Baerg graduated from Concordia University with a Bachelor of Fine Arts and a Master of Fine Arts from Rutgers University. Baerg teaches as the Assistant Professor in Indigenous Practices in Contemporary Painting and Media Art at OCAD University. Exemplifying their commitment to community, they co-founded The Shushkitew Collective and The Métis Artist Collective. Baerg has served as volunteer Chair for such organizations as the Indigenous Curatorial Collective and the National Indigenous Media Arts Coalition. As a visual artist, they push digital interventions in drawing, painting, and new media installation. Select international solo exhibitions include Canada House in London, UK, the Royal Melbourne Institute of Technology in Australia, and the Digital Dome at the Institute of the American Indian Arts in Santa Fe, New Mexico, USA. They sat on numerous art juries and won awards through such facilitators as the Canada Council for the Arts, the Ontario Arts Council, and The Toronto Arts Council. For more information about their practice, please visit JasonBaerg.ca.
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The imagineNATIVE Tour programs are one of imagineNATIVE’s largest initiatives outside our annual Festival. The imagineNATIVE Tour brings Indigenous-made film works and community engagement activities to communities across Turtle Island (Canada). Book until July 1.
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The Network of Independent Canadian Exhibitors (NICE) has published the results of an industry-wide survey on The State of Independent Film Exhibition in Canada.
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As the official film commission for the province, Creative Saskatchewan serves to help facilitate and attract business connections in Saskatchewan’s film and television production industry. Check out their Production Directory.
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imagineNATIVE: Below-the-Line Mentorship Program Opportunities Applications are now open. This training opportunity is designed for one Indigenous creative in the Greater Toronto Area and one Indigenous creative in the Calgary area working or aspiring to work in the film and television industry.
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The Canada Media Fund (CMF) announced that they will invest $357M in the Canadian television and digital media industries during the new fiscal year starting April 1, 2024.
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Organized by the Independent Media Arts Alliance (IMAA) interConnect a collaborative inquiry into digital transformation now complete can be read here.
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Canadian Arts Coalition – Open Letter regarding Government-announced cuts to Canadian Heritage and the Canada Council for the Arts If you or your community will be affected by these cuts, it is strongly encouraged that you bring this letter to your local MP.
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National Canadian Film Day (CanFilmDay) is a massive, coast-to-coast-to-coast salute to Canadian cinema! Launched in 2014, CanFilmDay has brought together hundreds of thousands of Canadians, to celebrate our stories and the incredible achievements of our filmmakers.
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Pacific Contact 2024 is BC’s Annual Showcase Conference for the Performing Arts and in Kelowna this year April 10 to 14
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Dreamspeakers International Indigenous FIlm Festival (DIIFF) 2024 was first presented in Edmonton in 1992 and was the first Indigenous film festival in Canada. April 26 – May 8
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Banff World Media Festival Join them for BANFF’s international conference, marketplace and Rockie Awards, alongside the world’s top creators, producers, showrunners, talent, networks, studios, streamers, press and media companies. June 9 – 12
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International Indigenous Music Summit Showcase applications are officially open for the 2024 International Indigenous Music Summit, June 10 – 14, in Toronto. The showcases will shine a spotlight on artistic excellence in the Indigenous music community. Submissions are open to Indigenous artists nationwide.
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NATPE Budapest 2024: NATPE Budapest is the go-to global business forum for content producers, buyers and distributors across all platforms. June 24 – 27
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The Power Plant – Assistant Manager, Events and Sponsorship
The Assistant Manager, Events & Sponsorship is responsible for planning and executing major fundraising events, including the highly anticipated Power Ball, annual gala dinners, exhibition opening receptions and dinners, donor/sponsor engagement and hospitality events, and venue rentals. In addition, this role takes the lead in acquiring cash and in-kind sponsorship for events and
secures corporate sponsorship and philanthropy in support of exhibitions, public programs, and other special initiatives, managing internal and external relationships for events, and corporate philanthropy and sponsorship.
April 10
Writers’ Guild of Alberta (WGA) – Summer Program and Digital Media Assistant
The Writers’ Guild of Alberta (WGA) invites applications from post-secondary students interested in meeting writers, promoting literary works by Albertans, and gaining experience in arts administration. The Summer Program and Digital Media Assistant will work closely with WGA program coordinators on various projects that include digital content creation, administration, writing, editing, event planning, and design work.
April 12
Winnipeg Contemporary Dancers (WCD) – Front of House/House Manager
The House Manager is responsible for the smooth operation of the lobby and audience seating area during the run of the show. The House Manager welcomes the public and oversees safety and comfort before, during, and immediately after the show.
April 12
CAFKA – Director Curator
The Director Curator’s responsibilities include long-term planning and visioning; program and community development and implementation; grant writing and reporting; fundraising; management of financial records and budgets; management of staff and volunteers; regular reporting to the Board of Directors; and general administration.
April 14
Kompany Family Theatre – General Auditions
We are looking to cast professional, non-equity performers for a few upcoming projects – though we would love to see anyone who has a passion and interest in theatre and dance for young audiences, even if neither of the projects below align with their schedule. Auditions will run in two parts: dance/movement call and small group workshop-style auditions. You can apply to be included in both parts or just one depending on your interests and abilities.
April 15
Gallery TPW – Curator
Gallery TPW is seeking a Curator to shape the organization’s artistic direction and help articulate that vision throughout all facets of our operations. With the support of staff, the Curator is responsible for the conceptualization and execution of all programming activity, both onsite and outwards into the community. Gallery TPW is seeking a candidate who is excited in shaping a cohesive curatorial visual, with longevity and openness at the forefront.
April 15
The University of Winnipeg: Gallery 1C03 – Art Gallery and Collections Intern
This position will be of benefit to students who wish to gain valuable curatorial research and practical skills, particularly in the areas of art education and public programming and communications strategies as well as collections management.
April 15
La Maison des artistes visuels francophones – Summer Job Opportunity: Outreach and Cultural Mediation Assistant
This opportunity is for an Outreach and Cultural Mediation Assistant position, running from May 8th to August 28th, 2024. The main tasks of the employee involve three main categories: cultural mediation and public outreach, communication and media relations, social media and promotion. These tasks will be completed under the supervision of the Executive Director and other members of the team, as well as with Board members. In parallel, the employee will be asked to assist the Director in the organization and coordination of day-to-day activities at La Maison.
April 17
Canadian Heritage – National Arts Centre Corporation – Member
The National Arts Centre is looking for part-time members to join its Board of Trustees. Are you familiar with the fields of multidisciplinary performing arts, theatre, dance, or popular and varied music? Are you interested in being a board member and working with a dynamic Crown corporation in the arts and cultural sector?
April 22
Sur Gallery – Collections and Database Coordinator
Reporting to the Director/Curator, the Collection and Database Coordinator (CDC) will be involved in database enhancement, community programming, and research and documentation of ARCHIVO. For the duration of the contract, the CDC, in this context, would play a crucial role in ensuring that the ARCHIVO database is enhanced effectively by completing the upgrade to File Maker Server. The CDC will meet the needs of its users and integrate into the broader institutional framework with the partner contribution. In addition, the CDC will help develop and implement a plan for the future of the position.
April 26
The Exposure Photography Festival – Festival Manager
Reporting to the Board of Directors and President, the Festival Manager is responsible for the planning and successful delivery of the festival program while managing Exposure’s community relations, marketing and communications, reporting and documentation, grant writing and fundraising.
April 30 or until filled
West End Cultural Centre (WECC) – Marketing and Production Coordinator
The WECC seeks a Marketing & Operations Coordinator to collaborate with the Artistic Director in the marketing and promotion of all WECC events, coordinating and scheduling of rental events, and production support and assistance. Reporting to the Artistic Director and the Executive Director, the selected candidate will work with all levels of the organization, acting as an advisor and partner to all departments.
April 30
Edmonton Youth Orchestra – General Manager
As an employee of the Edmonton Youth Orchestra Association the General Manager reports to the Board of Directors and works closely with the Music Director/Conductor, Assistant Conductor, and Board, as well as the orchestra players and their families, volunteers, donors and funders. The General Manager oversees all day-to-day activities involved in the running of the Edmonton Youth Orchestra and is actively involved in the Orchestra’s advancement and development activities. The General Manager works an average of 30 hours per week over the year, with the majority of these hours focused between September and June.
May 10
The Citadel Theatre – Philanthropic Giving Manager
The Citadel Theatre, one of Canada’s largest and busiest professional, not-for-profit theatre companies and facilities, is currently seeking a Philanthropic Giving Manager. Reporting to the Director of Community Engagement, The Philanthropic Giving Manager will be essential for advancing philanthropic support for The Citadel Theatre and building relationships with community stakeholders.
EMMEDIA – Artistic Director
Reporting to the board of directors, the artistic director is responsible for spearheading and championing EMMEDIA’s artistic vision as well as managing the execution of that vision, including hiring and managing staff as needed. This will include collaborating with other staff, the board of directors, and committees such as the programming and production committees. They are also responsible for ensuring that any and all communication needed to accomplish EMMEDIA’s vision takes place. The artistic director will also work closely with external organizations and the operations director on all aspects of EMMEDIA’s operations and mandate.
imagineNATIVE – Publications + Archives Coordinator
Reporting to the Communications Manager, the Publications + Archives Coordinator will focus on project management, with work including liaising interdepartmentally, maintaining timelines, and coordinating deliverables for the imagineNATIVE Film + Arts Festival’s print catalogue, as well as the development and launch of imagineNATIVE’s digital archive/artist directory project and other projects related to the 25th imagineNATIVE Film + Media Arts Festival (which will take place in June 2025). This position will also support the Communications department in other projects and interdepartmental initiatives and may, on occasion, include other duties as well.
The Mosquers – Executive Director
This leadership role will play a crucial role in the next chapter of the Mosquers Film Festival’s growth, building upon our history of building community for Muslim creatives, and bringing Muslim-led films and related programming to Edmonton and beyond. The Executive Director will be responsible for providing the strategic direction, management expertise, and financial oversight that are vital to the Mosquers continued growth and impact. The work will be dynamic, hands-on, varied and meaningful. The Executive Director is integral to achieving our goals, including continuing to build a space where Muslim creatives feel at home and transforming how people see Muslims, by working in a way that maintains our volunteer and community-driven culture, and the organizational identity that we have established in the last 17 years. With an experienced, visionary leader at the helm, we will be better equipped to navigate the challenges and seize the opportunities that lie ahead.
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Highlighted Awards and Competition Deadlines listed by Province (Coast to Coast)
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British Columbia
Creative Commons Attribute
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Saskatchewan
Creative Commons Attribute
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Ontario
Creative Commons Attribute
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Northwest Territories
Creative Commons Attribute
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National
Creative Commons Attribute
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International
”The International Flag of Planet Earth”, by Oskar Pernefeldt
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Creative Commons Attribute
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Training and Professional Opportunities
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Society for Arts and Technology – 5@SAT
Come to our next 5 at SAT which will address the topic of artist compensation, presented by the Alliance of Independent Media Arts (AAMI)!The Alliance counts artist centers, NPOs, festivals and collectives among its members, but the work it does ultimately serves artists. During this networking meeting, Barbora Racevičiūtė (National Director) and Marilyne Parent (Manager of Communications and Member Services) will present to you the work and resources deployed by the AAMI, including the recommended minimum rate scale for 2024 as well as the RAAMI project .
April 11
Tech Mash-up: Privacy and Your Business – An Introduction to PIPEDA
Join Tech Manitoba’s in-person Tech Mash-up Privacy Clinic to revolutionize your approach to privacy and data protection, especially if you’re a new or growing business in Canada collecting personal information. Expert advisors will guide you through compliance with PIPEDA, enhancing brand value, limiting risks and costs, and ensuring your startup thrives while prioritizing privacy rights. Reserve your spot today to elevate your business in a data-driven world, supported by the Office of the Privacy Commissioner of Canada (OPC) advisors.
April 17
Creative Saskatchewan – Business Resources Session for Creative Entrepreneurs
Working on a business plan? Need financing? Looking for Business Training? Learn about business resources in Saskatchewan. Creative Saskatchewan has partnered with Community Futures to present a business resources information webinar for Saskatchewan’s creative entrepreneurs.
April 23
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Canadian Academy – Executive Residency Program
The Executive Residency Program, an initiative by the Canadian Academy, is committed to fostering industry access for mid-career professionals from underrepresented communities, including Black, Indigenous, and persons of colour. This eight-month national program pairs high-level advocates with emerging leaders, offering invaluable insights into executive-level decision-making processes.
April 11
The Queer and Trans Research Lab Artist-in-Residence 2024 – Call for Applications
The Queer and Trans Research Lab (QTRL) at the University of Toronto invites all qualified applicants to apply be our artist-in-residence for the 2024-25 school year. The QTRL residency will provide financial and other material support for artists working in any medium (photography, sculpture, visual art, media arts, theatre, poetry, playwriting, fiction, etc.), whose work centres on LGBTQ2S+ lives, communities, histories, and cultures. The residency will culminate in a funded exhibition, reading, screening, or performance of the resident’s work-in-progress. The successful applicant is expected to be in residence in the Greater Toronto Area during the period of their award and will join the faculty and students who make up our intellectual community and participate in activities at the Mark S. Bonham Centre for Sexual Diversity Studies. These may include guest lectures, a public artist talk, office hours with our students, and a general presence at the Centre. They will be given office space and access to the vast faculty resources, manuscript archives, and library collections available at the University of Toronto and the Bonham Centre. In addition to financial support for a final artist showcase the successful candidate will receive a stipend of $20,000.
April 12
ALCHEMY – Artist Residency
ALCHEMY is an international artist-led residency exploring the common themes between artistic practice and the growing, cooking and sharing of food in community settings. Since 2017, this residency has taken place in rural Hillier, Prince Edward County, Ontario, Canada, during the harvest season.
April 15
Banff Centre for Arts and Creativity – Intermediate Indigenous Evaluation Frameworks – Spring 2024
The ability to design, direct, and benefit from evaluation practice is an inherent right. Indigenous people have been evaluating since time immemorial. Today, evaluation as a tool can support Indigenous practices and inform the design of programs and projects. Evaluation is a mechanism for amplifying the collective of Indigenous voices.
April 23
Banff Centre for the Arts and Creativity – Classical Indigenous Music Residency – Summer 2024
This residency brings together Indigenous musicians working with the Classical genre to cultivate relationships, personal craft and build strong networks that propel careers forward with an opportunity to showcase their works in progress. The program welcomes themes of listening, frequencies of land and connections to one’s culture.
April 24
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Indigenous Screen Office – Sound Design Program
This 12 week paid mentorship program is an opportunity for someone working in audio to gain practical experience in the area of sound design and audio post production. The program will be shaped to build on the participants current skill set. At the end of the term the candidate should have sufficient experience to continue developing a successful audio post career having gained fundamental skills and experience and formed meaningful relationships with key peers in the industry.
April 15
Canadian Media Producers Association (CMPA) – STAR Producer Program – The global market of buying and selling feature films
Please join Tania Sarra, a veteran film exec and ex-MGM Studios Director, for a behind the scenes dive into sales and distribution from a finance and strategic perspective. The industry is in a constant state of flux. Between the rise of streamers, the fall of their profits, cable TV cord-cutting, the epic strikes that created a cacophony of wide-ranging effects and the post pandemic theatrical business still trying to find its feet, it feels harder than ever to navigate the changing landscape of feature film. But there is a way to understand what makes it tick and whether your projects will fight or flight against the realities of the global market. Tania will also explore the way deals have evolved and how to evaluate your content against these factors, rooted in the business behind the film business: distribution.
April 16
Canadian Film Centre – CBC Actors Conservatory
The CBC Actors Conservatory is a full-time, 6-month immersive onscreen acting program designed to increase an actor’s confidence working in film and television; expand their onscreen portfolio; and establish strong creative and industry partnerships.
April 29
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Digital Arts Resource Centre – Intro to Filmmaking
Intro to Filmmaking is a 4-part introductory workshop for artists who are interested in learning how to work with video. This hands-on workshop provides artists with camera, audio, and lighting basics from pre- to post-production.
April 20 – 28
Alberta Printmakers Studio Workshop – The Nitty Gritty of Collagraph Printing
Collagraph is a collage-based printing technique which encourages participants to make soft textural images. This process is loose and responsive. In our one-day workshop we will employ both dry and wet techniques to create imagery through textures. We will learn how to make collagraph imagery on plates, and how to ink, wipe and print our collagraphs.
April 21
Calgary Arts Development – Public Art 101: Budgeting for Public Art
Public Art 101 is a series of free professional development workshops designed for artists and members of community groups and commissioning bodies who want to learn what it takes to create a successful public art project. These in-person workshops are led by Dawn Van de Schoot, an experienced public art project lead with Calgary Arts Development.
May 15
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